Weapons & Tools Depcited in Art :: essays research papers fc

Tools and Weapons in ArtSince the dawn of mankind, humans make believe crafted tools to assist them in their daily lives. From the first rock thrown in anger, to the first tree branch used to dig, societys kin to tools and weapons has been represented in all of the visual arts. Throughout our textbook I take in interpreted the recurring theme of tools and weapons in the arts.From the opening chapter we show Perseus Holding the Head of Medusa Fig. 0.1 (Sporre 12). His relationship with his weapon appears both tall and protective as he positions his sword away from his body resistance its target the head of Medusa. It almost seems as if Perseus has stepped in mingled with a fight amongst two quarreling school children, holding his weapon out as the innocent party and the head of Medusa as the instigator. And though this piece is anatomically from a distance, a closer facial expression reveals many another(prenominal) features were left out nipples, eyebrows, etc. However, the handle of the sword seems to have an abundant of detail in the decoration. This indicates the artist put considerable conception into this weapons appearance.Later in chapter one, we are reminded that cavemen did not invent the wheel. In Ashurnasirpal II killing lions Fig. 1.6 (Sporre 37), the rendering of an early Sumerian chariot clearly highlights the regal tool as utilized for transportation. Note the fine lines, the intricate detail on the hub of the wheel, and even detail on the spokes. When taken as a whole, the wheel in this carving is more prominent than the people go in the chariot.Again, in chapter two, we find another piece where the weapon ends up being the center of focus. It is difficult to tell if any one die of art intended for the weapons to figure so prominently, but collectively in that respect is certainly a subconscious emphasis on them.In The go Painter, Attic Red Figure Krater Fig. 2.7 (Sporre 58) the weapon is clearly the focal point. The immense negative space contrasting with the thin, but balanced bow and cursor draw ones eye right to the area. Furthermore, the weapon in this particular vase photograph is the impetus for the entire scene. Without the weapon, Artemis would not be shooting Actaeon. It is difficult to look at these weapons without noticing the great detail in both the weapon and its accessories. In this particular piece the artist went so far as to embarrass a detailed arrow quiver complete with strap.